Sound Design for Future Films
Et al. San Francisco • United States of America [US]Sound Design for Future Films
features collaborations with
Katja Aglert, Marc Ganzglass, David Gray,
Pierre Huyghe, Christine Rebet, Christopher Seguine (2006)
Oskar Aglert, Aideen Barry, Lisa K. Blatt, Kate Gilmore, Klara Hobza,
Gabriel Lester, Melik Ohanian, Klaus Schafler (2008)
Martí Anson, Marc Joseph Berg, Amy O'Neill, Lucy Raven,
Deborah Stratman, and Eve Sussman (2010)
Et al.
620 Kearny Street
San Francisco, CA 94108
website
Reception & Screening November 16th 7-10pm
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An exhibition which comes and goes as it pleases
Sean Talley
Laurie Reid
Jeremy Ehling
+Melissa Dubbin & Aaron S. Davidson's 'Sound Design for Future Films' (2006,08,10)At Et al.
AN EXHIBITION WHICH COMES AND GOES AS IT PLEASES drifts
into view in the gaps between other programs and may hide,
linger, and/or reemerge. It appears often only from a certain
angle like a single frame in a lenticular or the screen of an a.t.m.
It is lithe and unrooted.
ARRIVING
Sometimes as objects, sometimes as motion briefly contorted
into dance.
ARRIVING
Sometimes almost mechanically, nearly in lock step with the
operations of a calendar.
ARRIVING
Like Kramer in a burst; as a guest with the keys or who knows
the door is unlocked, too familiar to turn away.
VACILLATING
The way a painting can alternate between the tensions of
counterpoint and harmonic dependence upon its wall.
VACILLATING
Between object and event.
VACILLATING
Between enunciation and mute refusal, between language,
music and noise.
LEAVING
Perhaps only when pushed out the door.
LEAVING
Behind documents, traces, stains.
LEAVING
Before it is noticed; passing like the boat of a fellow smuggler at night, lights off, using only the current to pull it along